This review was first
published on CLUAS in 2004
Other albums reviewed in 2004
The Libertines
A review of their album 'The Libertines'
Review Snapshot:
The Mick Jones produced sophomore release by cockney favourites, The
Libertines, is an intriguing listen but probably doesn't live up to the
outrageous amount of hype that surrounded its release. All the same, the band
stay true to the unique style and charm which cemented their position in the
marketplace and in the hearts of their ever growing legion of fans.
The
CLUAS Verdict? 7 out of 10
Full Review:
The Libertines' eponymous second album is one which will reinforce their
existing fan
base but will do little to convert the non-believers. Musically they have grown
little since their 2003 debut and those who have heard 'Up The Bracket' can
expect more of the same. However, that's not such a bad thing as the band
provide us with the same raw sound and quirky lyrics we are used to hearing from
them.
Unfortunately, the album has come out under pretty unusual circumstances. Peter
Doherty, the group's front man is temporarily (hopefully!) estranged from the
band due to his well-publicised drug habit. Considering that one of the most
endearing aspects to the Libertines is the amicable brotherly relationship
between Carl and Pete it was interesting to see how the rift would play out on
the album.
Colour me cynical, but it kind of seems that they have played on this
negative publicity. For example the albums cover is a photo of Pete and Carl;
blue eyed Carl gazing innocently at the camera and a pale, ghostlike Doherty
looking down at his outstretched arm. Cynicism aside, anyone who was hoping for
a warts and all glimpse into the emotional turmoil the band was going through at
the time of writing and recording this album will not be disappointed. The
albums first single was the mighty 'Can't Stand me Now' where Peter and Carl
consider their possible demise, "have we enough to keep it together? / or do we
just keep on pretending / and hope our luck is never ending".
So what about the rest of the album? Well, it opens with the aforementioned
anthemic 'Can't stand me now' which is probably one, if not the best, song the
Libertines have made to date. 'The Man Who Would Be King' is 'Tell the King' off
the last album reworked, just nowhere near as good. The album ends touchingly
with stand out track 'What Became Of The Likely Lads', which unfortunately could
become be the bands swansong. "What became of the likely lads? / What became of
the dreams we had? / What became of forever?/ We'll never know." There are quite
a few fillers but some gems too like 'Music When The Lights Go Out', a tortured
ode to falling out of love. Other highlights include 'What Katie Did', 'The
Saga' and 'Arbeit Macht Frei'
This is a Libertines album for Libertines fans. If you liked 'Up the Bracket',
you'll probably like this. If you didn't, spent your twenty quid elsewhere. My
verdict is that this is an enjoyable album with a couple of stand out tracks. I
guess it has to be respected that the band stayed true to their roots when they
could have written an album about how (according to the NME) they're the
saviours of rock and roll and how rubbish it is being famous. Instead they wrote
an album about drugs and drink and girls and friends and London, thus not
alienating their fans. Probably not quite as good as their debut, but still
worth a listen. Hopefully it is not the last we will hear from a band with such
talent and promise.
Amy Kennelly