The CLUAS Archive: 1998 - 2011

14

As Steve McCroskey in one of Key Notes favourite movies, Airplane, Lloyd Bridges famously picks the wrong week to quit drinking/smoking/sniffing glue/amphetamines. This blog, however, seems to have picked the wrong fortnight to go on holidays. CLUAS has been quite the attention whore of late, grabbing almost as many headlines as celebrity marriage breakdowns, minus the fake tan and even faker breasts. The reason for all the attention was, of course, the publication of the CLUAS top 50 Irish albums of the last decade.

The thing about a list like this is that even if it was a list of the top 500 Irish albums of the last decade, you’d still have people; you know the type, indier-than-thou, who’d be asking why such and such a band/artist didn’t make it in. That’s understandable for two reasons; firstly, music is such a subjective topic (as this blog has written about many times before) and also because the Irish music scene is so bloody small that a lot of the ‘independent’ comment is from family/friends/members of bands who either didn’t make the cut or didn’t appear as high as they would like.

As music is so subjective it would be impossible to please everyone. Indeed, Key Notes’ own top 10 (which you can find at the bottom of this blog) is very different to the collective CLUAS top 10. However, democracy rules around these parts and Key Notes can find no fault with the system Eoghan put in place for the poll and this blog is pretty confident that 35 writers represent a fair cross section of the Irish listening public.

Regarding the incestuous nature of the Irish music scene, well there is very little you can do to combat that. The anonymity of the internet (when CLUAS launched that word still required a capital letter [/flashback]) means that it can be impossible to know how independent some of the comments on lists such as this might be. Personally, Key Notes has lots of friends involved in making music (some of which he likes, some of which he doesn’t) but can honestly state that he would never let that get in the way of his appraisal of the quality of a band/album, and not just because he has to put his name to everything he writes.

However, that’s enough comment on the comment the CLUAS top 50 list received. What does Key Notes think of the list itself? Well, as already stated, his top 10 would look quite different. Upon reflection, it’s perhaps not surprising that the top 3 were such ‘safe’ albums. A great deal of all music produced represents a current scene or trend and tend to burn brightly for a short time before fading into obscurity whereas the tried and tested formula of four blokes with guitars seems to be eternally popular.

Kudos to Eoghan for all the work put into the poll (when you have people like Key Notes who struggled to put their list into any sort of order then you have to have lots of patience!) and, while Key Notes might not agree with the final order, he was never going to.  Music is too subjective for that and this site would be very boring if we all had the same opinions!

Key Notes' Top 10 Irish Albums Of The Past Decade:

1. Future Kings of Spain - Future Kings of Spain
2. Damien Rice - O
3. Roisin Murphy - Overpowered
4. Alphastates - Made from Sand
5. JJ72 - JJ72
6. Turn - Forward
7. The Dudley Corporation - In Love With The Dudley Corporation
8. Snow Patrol - When It's All Over We Still Have To Clear Up
9. Bell X1 - Music in Mouth
10. Iain Archer - Flood The Tanks


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Nuggets from our archive

2005Michael Jackson: demon or demonised? Or both?, written by Aidan Curran. Four years on this is still a great read, especially in the light of his recent death. Indeed the day after Michael Jackson died the CLUAS website saw an immediate surge of traffic as thousands visited CLUAS.com to read this very article.