Steven O'Rourke posted on August 15, 2007 09:58
CLUAS Verdict: 5 out of 10
A brave but, alas, futile, attempt at greatness; Everything Last Winter is the debut album from Fields.
The goal of Fields and their producer Michael Beinhorn (Soundgarden, Red Hot Chili Peppers) seems to have been to make Everything Last Winter a multi-textured indie pop record that gave the listener a new experience each time. However, the more one listens, the more one becomes frustrated with the bands attempts to shoehorn the ghost of Nick Drake and the soul of Fleetwood Mac into the same song. Put simply; there is just too much happening on this record to make it an enjoyable multiple-listening experience.
The difficulties faced by the listeners can be summed up in two songs. Both If You Fail We All Fail and Feathers, being the two most obvious attempts at combining the bodily fulid swapping intimacy of the bands earlier work and their new mega-stadium filling rock pretensions, start brightly enough. However, the cacophony of sound that litters the ending of both becomes far too claustrophobic over multiple listens and the bands desire to write the perfect crescendo would make even Gary Lightbody blush.
It’s not all bad though. While the majority of the album sounds as if it was written with serious musical aspirations in mind, tracks such as Skulls and Flesh and More and especially Schoolbooks, sound like they may well have been stumbled across in Nick Piell’s attic and it’s the listener, by being allowed more room to actually listen and appreciate, who is the main beneficiary of this serendipity.
In summary, Fields have the potential for greatness; they just don’t need to try so hard.
Steven O'Rourke
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