The CLUAS Archive: 1998 - 2011

02

Up to about 4 years ago I used to send out a CLUAS email newsletter every two or so weeks. It was very successful in regularly drawing to the site many visitors who would otherwise stop by very irregularly, if at all. The overall effect was that the newsletter helped drive traffic levels upwards. By the time I stopped sending the newsletter out it had about 3000 subscribers. However I had to stop sending it as emailing so many people simply got more and more difficult (as ISPs started, with the rise of email spam in general, to severely limit the number of emails one could send).

But, after a bit of research in the last few weeks I today relaunched the CLUAS newsletter with the help of YMLP.com, an excellent and reasonably priced third party mailing list provider. In choosing a company to go with I was conscious of the possibility of ending up with a company that would turn out to be some dodgy non-EU, non-USA backstreet outfit that were in this game to harvest email addresses to sell on to spammers. I am confident however that's not the case with the company we are using (who are a legitimate business operating out of Belgium).

It turns out that the number of email subscribers on CLUAS has in the last 4 years greatly increased - we now have just over 6000 emails (basically the original 3000 + over 2500 new registered users of the site + a few hundred who have chosen to register just for the newsletter in the last four years (either via our newsletter subscription form or via our end of year readers' polls voting form when we gave voters the option to sign up for the newsletter). My guess is a very big proportion of these 6000+ emails will be dead/dormant accounts (even up to 50%, some of those subscribers do after all go back to 1999!). Thankfully the mailing list service we are using automatically filters out dormant emails (based on delivery error messages received from "dead accounts") so the list will be cleaned up quick enough over time. Even so I think the revived CLUAS newsletter will regularly pull in a healthy number of visitors who otherwise might miss out completely on the CLUAS site.

As an act of curiosity I looked into the database of 6000 subscribers to see how they break down, in terms of where the subscribers come from and what email services they prefer to use. Below is a sample of some of what emerged from my rooting in the list of subscribers (without of course compromising the identity of any individual subscriber)...

Most popular email accounts / ISPs among CLUAS newsletter subscribers

  • Hotmail (1761 subscribers)
  • Yahoo (810 subscribers)
  • Gmail (403 subscribers)
  • Eircom.net (356 subscribers)
  • CLUAS.com (239 subscribers)
  • AOL (100 subscribers)
  • Ireland.com (50 subscribers)

Most popular university email addresses

  • TCD (48 subscribers)
  • DCU.ie (46 subscribers)
  • UL.ie (16 subscribers)
  • NUI Galway (12 subscribers)
  • UCD.ie (12 subscribers)
  • UCC.ie (6 subscribers)
  • QUB.ac.uk (5 subscribers)
  • DIT.ie (3 subscribers)
  • WIT.ie (2 subscribers)
  • LIT.ie (2 subscribers)
  • CIT.ie (1 subscribers)

Subscribers based on country of origin of email address

  • .ie email addresses (895 subscribers)
  • .uk (374 subscribers, although 255 are Yahoo.co.uk addresses)
  • .de (32 subscribers)
  • .fr (23 subscribers)
  • .it (15 subscribers)
  • .au (13 subscribers)
  • .nl (12 subscribers)
  • .ca (10 subscribers)
  • .es (7 subscribers)
  • .pl (6 subscribers)
  • .be (5 subscribers)
  • .nz (4 subscribers)
  • .pt (3 subscribers)

Top companies whose employees used their work email address when subscribing

  • Microsoft    (32 subscribers)
  • RTE.ie    (13 subscribers)
  • Gov.ie    (11 subscribers)
  • Eircom.ie (7 subscribers)
  • Dell.com (7 subscribers)
  • IBM    (6 subscribers)
  • Intel    (6 subscribers)
  • Ericsson (3 subscribers)
  • HP.com    (3 subscribers)
  • Pfizer    (2 subscribers)

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01

(First up - apologies for my absence from this blog in recent weeks, I won't burden you with a long list of protracted excuses, suffice to say I'll be about this place a bit more often. So, moving swiftly along...)

With thousands of its pages indexed by Google, CLUAS today receives a healthy chunk of its traffic from the world's leading search engine. The number of visitors they send our way can vary greatly from day to day, from week to week, but it is safe to say that we get a minimum of several hundred vistors a day coming from Google. Behind this fact lies plenty of interesting info and observations about how Google sees CLUAS, stuff I have been keeping my eye on for years but which now (cue collective groan) I am going to explore in a series of blog entries...

Casual users of Google wouldn't be aware (nor do they need to be) of the fact that Google shares out, for free, considerable amounts of information to webmasters about how Google sees their website(s). They do this via their Webmaster Tools service and all you need to do to get this info for your website is to prove to Google that you are indeed the owner of the domain name. They then dish out all sorts of info that any conscientious websmaster would be mad for, like:

  • Search queries that most often returned pages from your site, and which of them were clicked,
  • Which pages on your site have links pointing to them from other sites,
  • The number of pages on your site that Google indexes per day,
  • The average time it takes Google to download a page,
  • Pages that it has trouble accessing.

Exciting stuff, eh?

Anyway I've been checking in with the Google Webmaster Tools service for well over a year now to keep tabs on how Google is interacting with CLUAS. Last week when I logged in I noticed something unexpected. Google all of a sudden had dramatically reduced the number of CLUAS.com pages it crawls on an average day. It dropped from an average of thousand pages a day to about 25 a day (see the graph). My first reaction was "WTF?" before calming all the way down.

Number of pages crawled by Google

There are many reasons why Google would suddenly reduce dramatically the number of pages it crawls on any site: the site might not be updated often enough to merit 'deep crawling', the site might not be receiving enough new links from other sites, the site might have started using all sorts of frowned upon practices to deceive search engines. There could be any number of reasons. However I was reassured when I saw that CLUAS articles are still appearing in Google news within an hour of them being published. Somehow I don't think we are in the Google doghouse.

My own feeling is that this is something to do with the fact that, starting for a 3 week period on April 5, CLUAS stopped running Google ads on the site (so that we could run a banner ad campaign for Independent Records). I'm not saying that I think Google went "ahhhh, those CLUAS lads, they stopped running our ads, off with their heads, etc." Here's why. See, when you visit a page with a Google ad a few things happen in the blink of an eye. Simplifying it greatly, you visit the page, the page tells a Google ad server "there's a visitor on this page", Google grabs the page, checks its content and then serves up a ad relevant to content on the page. My guess is that once we stopped running Google ads for the 3 weeks, Google during this period - obviously - stopped "grabbing pages" to check content in order to decide what ads it should run on the page. And this is what has made our "pages crawled" stats plummet (background info: Google last year bundled together the task of checking a page for ad content with checking a page for possible inclusion in its search result pages).

Maybe I am wrong and Google just thinks CLUAS is not worth crawling as often as it did before for some other reason. Now that the Google ads are again running across the site I'll soon be able to see if my theory is right. I'll report back in a few weeks with an update on what happens.

Betcha just can't wait.


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01

May:  The month that's traditionally brings longer evenings, shorter sleeves and the start of a summer of washed out music festivals. It's much more than that too, as May is typically the month when bands come out of their winter hibernation/studios to regale us with their tales of love, loss and haircuts, through the medium of music.  Key Notes remembers one May - when he had much more hair and a worryingly large collection of corduroy jackets - that involved going to no less than 15 gigs.  Not bad for a lazy student but terrible for his studies as he also had exams that month. 

To help you decide what you want to see this month, Key Notes has compiled a list of his top five (and it should be stressed this is in no particular order) gigs/events over the coming month.   

Giveamanakick, Andrews Lane Theatre, Dublin, Friday May 2nd
What better way to start a month of gigs than with a free show?  To celebrate the launch of their new album 'Welcome to the Cusp' Giveamanakick are providing free entry - as long you turn up between 8 and 10 - with support from Dry County. 

Jamie Lidell, The Academy, Dublin, Saturday May 3rd 
A lot of noise has been made about Mr. Lidell over he past few years, but perhaps the strangest review he's ever received is from Elle magazine, which announced JIM, Lidell's record, as 'The best album Prince never made.'  That aside, and you're feeling in the mood for retro-soul, then Lidell is well worth checking out.

Black Rebel Motorcycle Club, The Academy, Dublin, Saturday May 10th 
Due to popular demand, as the expression goes, BRMC have had to add a second date to their Irish stopover.  This tour is designed to showcase songs from their new 'Baby 81' album an album many have said could yet make or break for the band.

Silver Jews, Roisin Dubh, Galway, Thursday May 15th
Ahead of the launch of their sixth album, 'Lookout Mountain, Lookout Sea' David Berman and co. remind us all that Silver Jews are more than just a Pavement side-project.  Remember when Silver Jew used to refuse to play live? Get to see them before they change their mind.

Battles, Vicar Street, Dublin, Thursday May 15th
If you can't make it to Galway that night, things aren't so bad in the capital either.  Battles, whose 'Mirrored' album was released last year to critical acclaim, bring their unique brand of 'math-rock' to Ireland for the 3rd time in a year.  Expect trouble if the band don't perform 'Atlas' - the song which topped more end of year polls than any other last year.  Actually, have a listen for yourself to see did it deserve it:

 For an alternative look at gigs coming up over the next few weeks, check out Ian's excellent Gigs of the Fortnight section.


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01
Panic At The Disco 'Pretty Odd'
A review of the album ''Pretty Odd'' by Panic At The Disco Review Snapshot: A badly-misjudged attempt to break free from the emo standard that collapses under the weight of its own...

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01

A review of Yael Naim's self-titled album

Yael NaimReview Snapshot: This self-titled second album from French-Israeli Yael Naim, shows off an excellent voice and some excellent compositional flare, though with much of the same from start to finish. The tracks go from folk to pop and back again, remaining rooted in acoustic guitar and piano. With some snapshots of something special dotted throughout, don’t be surprised if it ends up putting you to sleep...

The Cluas Verdict? 6 out of 10

Full Review:
Describing Yael Naim and knowing very little about her, you could be forgiven for calling her a French Feist. Both have got the husky-dreamy female vocalist bit down, both have sold their songs for use in ads, and sometimes, they both sing in French.

This is the second album from Yael, a French-Israeli singer-song-writer, released on the French independent label, Tôt ou Tard. It includes her most famous song - "New Soul", which was featured a while back in a MacBook Air ad, and gave her a top ten hit in the US charts. It really is the attention-grabber on the album, and for good reason. Being possibly the most energetic of the bunch - the remainder being more acoustic-orientated and down-tempoed, and having the added advantage of being in English, it's worth a listen in itself. It however is a slight misrepresentation of what to expect from the album. Expect something more slow-paced, pleasant and sleepy songs. Many are sung in Hebrew, which is an interesting experience.

Opener "Paris" sets up for some acoustic-folk, but a range of other influences make appearances throughout. David Donatein, himself a West Indian drummer, is Yael’s partner in crime on this album, and is responsible for the perfect accompanying backdrop to Yael’s voice. Her classical background is evident in the track "Lachlom", having all the correct interval-leaps for a successful tune. Also in Hebrew, "Levater" dabbles with a tension-building orchestral line, but never quite erupts. "Yashanti" and "Lonely" exercise Yael’s extensive vocal range – but this not exactly original stuff. Only when "Shelsha" finally breaks does it becomes a more noticeable song, highlighting a tendency for tracks to blend together in to - an admittedly pleasant - haze. However, "Too Long" is a memorable jazz-embracing pop-song, making up part of a clump of the catchier songs right at the start of the album. In quite unusual English, - "I irrigate illusions, then let them grow" - it also makes use of some basic but effective synth enough to make it a personal favourite.

The cover of Britney’s "Toxic" towards the album’s is slightly questionable. She manages to make it Bjork-esque, but deconstructed pop-songs to me just seem a little stale. It does however blend in seamlessly to the order of tracks, allowing the peaceful string of songs to hold up until the end. The final song is the disjointed waltz entitled "Endless Song of Happiness", which sounds like a merry-go-round. A pretty conclusion to a pretty, but only minorly eventful album.

Christine Cooke

 To buy a new or (very reasonably priced) 2nd hand copy of this album on Amazon just click here.


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30

Gemma Hayes (live in Tripod, Dublin)

Review Snapshot: Despite the distraction of events elsewhere, Hayes and her band of merry men were able to put on a really impressive gig that showcased the Tipperary native as one of Ireland's brightest talents.

The Cluas Verdict? 9 out of 10

Full Review:Gemma Hayes Live
Anyone who reads my Key Notes Blog will know that I wasn't too sure about reviewing this gig.  After all, a certain European Cup semi-final was taking place at the same time and was pulling at my heartstrings.  However, despite missing out on Manchester United's victory, I made the right call by attending tonight's gig.

Initially I was worried that the gig might not be well attended as the crowd - most of whom decided to forgo Ann Scott's performance for the action at Old Trafford - were late getting in.  More fool them.  Scott is a competent performer with a haunting voice that was particularly impressive on set opener 'Jealousy'.  What let her down tonight though was the lack of a band.  Her guitar playing was not strong enough to support her voice and it was only at the end of her 5 song set, when she introduced a drum machine, that it really felt like she owned the stage.  Still, Tripod is a big venue to face when it's half empty and she did a good job warming up the crowd that had turned up.

Having never seen Gemma Hayes live before, my jaw dropped to the floor when she walked on stage tonight, but not for the reason you might think.  Hayes was accompanied on stage tonight by a veritable 'who's who' of the Irish indie scene.  

With such an impressive troupe around her, Hayes could hardly fail to impress.  However, it would be unfair give all the credit to her illustrious band as tonight Hayes provides them with excellent songs with which to work.  Opening with crowd favourite 'Happy Sad', Hayes and band launched into a lively 13 song set.  Aware of what was also taking place tonight, Hayes thanked the crowd, consisting mostly of mid-twenty year old women and their partners, for turning up tonight and even asked what the score was at one stage.

Highlights of the evening included new song 'Out of Our Hands' and 'Over My Head' ('Can you see a theme developing?' she asked) which were played back to back and showcased an impressive vocal range.  The only time the crowd really lost any interest tonight was during 'Home' a song taken from Hayes' new album 'The Hollow of Morning' which was unfortunately timed with the sound of hundreds of text messages announcing the result of the match.  However, obviously happy with the result, ther crowd soon picked up again during the performance of 'Back of My Hand'.

Overall, Gemma Hayes is very easy to like.  Her interaction with the crowd, while frequent, never strays into the Glen 'This song's about' Hansard range.  As a performance it's virtually flawless.  The only complaint I could have is that it finished very early, slightly after 10.  What ever happened to rock and roll; staying out all night, even if it is a school night!  However, that should not take away from Hayes', and indeed her bands, talent.  Gig of the year (so far) for me. 

Steven O'Rourke


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28

We've given it time to see if it's a grower. It's not. We watched her TV appearances on the off-chance that it works better live. It doesn't. We watched part 1 and part 2 of the making-of documentary in the hope that we'd learn how to decipher its mysteries. There aren't any. The new Camille album, 'Music Hole', just isn't very good, and that's about it.

Camille Music HoleWe had feared as much when we heard 'Money Note', the first track made public before the album's release. The vocal effects were clever and engaging, so we liked it on first listen. Paying closer attention, we were surprised to discover that she was openly criticising MOR divas like Céline Dion and Mariah Carey for their histrionic technique.

This we found a bit rich, as Camille herself showboats all the way through 'Music Hole'. Like Whitney's infamous climactic blaster in 'I Will Always Love You', what else are Camille's vocal effects but a spotlight on her singing technique? And with her hyperactive live persona, she combines "listen to me" and "look at me" as much as any attention-seeking stage-school brat.

The extra attention on Camille has been detrimental to the quality of her material. On 'Le Fil' her vocal effects were subtle and served the song, like for hit single 'Ta Douleur' where her vocalising embellishes an already-brilliant pop song. For her new album the songs serve the vocal effects. This is apparent on the terrible first single, 'Gospel With No Lord'. Like 'Money Note', it's a song about being a singer; one step above 'songs about the war I watched on CNN' on the scale of Bad Lyric Ideas.

In 'Gospel With No Lord' Camille praises the person from whom she received her singing gift - herself. (It starts with her cheering herself on: "Allez Camille, allez Camille".) And, her family, whom she eulogises with a naff riff in a kooky deep voice ("Father in laaawwww - sister in laaawww - brother in laaawwwww"). It's supremely irritating and miles away from the subtle, subversive charm of 'Le Fil'.

The rest of the album follows the same tack: promising songs are sunk by Camille's incessant need to highlight the vocalising that made her name. So, a quiet thing like 'Home Is Where It Hurts' is ruined by the very showboating she criticises in Mariah et al. With depressing predictability, 'Cats And Dogs' breaks into animal noises. And so forth.

Follow-up albums, as we noted above, tend to be written in the spotlight of public praise and expectation, and thus with a great deal of self-consciousness. Like thinking about yourself while dancing, too much self-awareness trips up songwriters every time. With every note and song of 'Music Hole' Camille seems vividly aware that she's Camille, and so she plays at being Camille for the whole album. This may be impeccable post-modernism - but it makes for rotten music.

Here's that first single, 'Gospel With No Lord':


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28

Electric Eel Shock (live in Fibber Magees, Dublin)

Review Snapshot: Electric Eel Shock provided one of those nights where you arrive with very little expectation and leave with sweat on your brow and a smile on your face.

The Cluas Verdict? 8 out of 10

Full Review:
It's not very often I have to be convinced to go to a gig but tonight was one such occasion.  Having spent the day toiling in the never-ending mountain of work that is my garden, the last thing I wanted to do was spend an evening in the company of, well, anyone.  However, as is her way, my wife convinced me otherwise and Electric Eel Shock went on to provide one of the most high-energy shows I've seen in quite a while, proving once again that my prettier half is always right.Electric Eel Shock

Opening the night was Acoustic Eel Shock, essentially Electric Eel Shock's drummer Tomoharu 'Gian' Ito on an acoustic guitar.  It only lasted a handful of songs and he sang in Japanese but it sounded good and Ito's guitar playing skills were impressive. 

Next on the bill were Nations of Fire, a band whose moniker could well be their undoing as I heard the phrase 'Nations of Sh*te' on more than one occasion during their set.  That might be too harsh a review but they weren't exactly an easy band to like unless you're fifteen and think that nobody understands you.  Perhaps Nations of Fire would work as an instrumental band as they seem to have some decent material but it was as poor a vocal performance as I've heard in a long time.

The penultimate act of the evening was Nova Static.  It seemed a strange choice of gig for the band though, as their brand of melodic rock (think Weezer or Muse) was at odds with what preceded and, indeed, what was to follow.  This was my second time seeing the band in a little over a week and while I was impressed the first time, they were even better this time around.  They are, dare I say it, a very radio-friendly band, with 'Tape it off the Radio' and 'Meet me in the Underground' especially impressing.  Having secured two high-profile support slots in a fortnight - two weeks ago they were the opening act for the Portlaoise leg of the 2fm 2moro 2our - it would be interesting to see Nova Static play a longer 'headline' set.

And so we come to Electric Eel Shock.  Sometimes you can't explain why you like a performance.  If I were to review this logically the music wasn't particularly inspiring and the lyrics were, ahem, interesting (with songs called 'Bastard' and 'I Love Fish but Fish Hate Me' what did I expect?).  But this gig was about the energy of the performance and the ability of the band to whip the crowd (consisting of an odd mix of young Japanese women and balding-but-still-having-long-hair middle aged men) into a frenzy, and all this despite playing a Black Sabbath cover!  As lead singer Aki Morimoto told us many times, Electric Eel Shock 'love heavy metal!'.  Before this gig I didn't particularly care for it, afterwards, well, I was more impressed than I ever thought I could be.

Steven O'Rourke


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28

Here's a long email I got from a good Chinese journalist friend which is typical of the views I've been getting from local, Joe soap types these past few weeks of anti-western rage in China. The email is in response to a debate we had about why a friend of mine from China's restive Uyghur (or Wei) muslim community can't get a passport (the reason being Olympics 'stability and security,' he's told by officials). Many Tibetans I've met have a similar problem. So if the average Chinese is fine and dandy with the government here, what are we westerners expending so much time and effort demanding Beijing to give its people more human rights? Should we stick to seeking more rights for Tibetans and leave the rest of China to the government the average Chinese appears so content with?

"First of all, I am not a politician. I talk to you because we are friends and I am a Chinese. I hope I can help you know Chinese people more and give us more understanding.

I feel sorry about John if something really unfair happened on him as a Wei minority person recently. You think that's discrimination. I also believe Chinese government can do this kind of things because recent days Xinjiang region and Tibet region are not stable so government has to take some actions.
I also believe Chinese government and even Chinese people are not open enough when we have problems because we are afraid of losing face. Face matters a lot in China and it could date back several thousand years ago.

But can I say something else to help you know more? Ok, if you think it's discrimination for John, then I'd like you to tell if these are discrimination for Han people. I believe China central government support those minorities with many preferred policies, financially and spiritually. I don't know too many details but I definitely know minority people can have many kids if they want. They can go to universities with less points than Han people. Wei people and Tibet people can have their knives with them when they go out but Han people can't. Do you think it's very fair for Han people? Have you ever heard that Han people protested against these before? We only heard too much violence in Xinjiang and Tibet and those gang destroyed public facilities and killed normal people. Do you think those people will become kind after they get independent? Do you think they are not terrorists?

Think how the US reacted after 9.11? They thought everyone from Middle East was a terrorist and they took tighter action to foreign people who were in the US and wanted to enter into the US. Why you don't understand Chinese government is doing something to Wei and Tibet people? People always take what they have for granted and complain for wha they are short . It is unfair to John but don't think it is discrimination and ignite Chinese people's hate. Unfair things are always there and it takes time to get over. Wei people has more privileges than Han people, please think of this as well.
 

Western countries always mention human rights, but I think they just emphasize more on individual rights and don't take it as a whole. I would like to take my family as an example and I hope you will get something. My family is a very traditional Chinese family. They didn't have stable income since they were only normal farmers in the beginning.  Just because China reform and open policy, my dad could have chance to go out and make money. Considering there are four children in my family, I think my parents really did a good job to have our four children get educated. My mom once said, "I think you dad is really great. Considering we are only Noon Min family, but he could support four kids to go to university". And my dad said, "our family is here because you mom managers our family well". They appreciate each other very much even they don't say "Xie Xie, Dui Bu Qi" at all. I learned to say them till I went to university. So if you ever go to my hometown and people don't say "Xiexie and Dui bu qi" to you, don't think they are rude. They just don't get used to.

Now let me think back, I think my mom even pays much more hard-work to our family. My dad has been busy making money and my mom looks after the whole family. She is very generous to give out and she has very good relationship with the neighbors and relatives. Chinese marriage is not only something about one man and one woman but a relationship between two families. My parents take each other's family as their own family. They take responsibilities for both when they need them. My dad gives every coin he earns to my mom and my mom takes good care of them. My dad seldom spends money himself and he just leaves most family things to my mom to deal with. Only when there are some big things that need my dad to decide, then my mom will let my dad do. Otherwise my mom will arrange everything. Their great mutual trust makes me admire very much.

Their four kids - my older sister, older brother me and my younger sister all have a decent job compare to other our fellows. My parents feel happy because they think we will have pension at least when we get old. My mom feels sorry for my dad because my dad even couldn't get pension even he has been working till now. He couldn't get it because of his farmer's identity.

But my parents never complain. Their attitude towards life, towards our education is very influential to us. I never look down on myself for my farmer's family. I never complain that I have too little to share to others. I seldom make time to complain life if something bad happened on me. I don't have time to do it. Even I was put a waitress position in my first job because other people thought it should be good enough for a graduated girl who grew up in the countryside to work in a city, even I was rejected by Canadian embassy because they thought I was not well-established and I wouldn't go back to China, unfair things are everywhere that not just happened on me. I only made effort to improve myself. I got recognized and promoted after my hardworking during my first job. I am sure I will go abroad after I make me strong enough. I don't have time to complain.

People, who think other people look down on them, must look down on themselves first. They should raise their awareness of improving their own first. China, as a big family, is trying to make every nationality in the right place. Our government is making big efforts to improve. We never look down on Tibet people or Wei people because they are Chinese too. Even we have problems, that's our domestic problems and China has ability to get through completely.

Some countries ignore Chinese history and Chinese culture and offer a hand saying they will help those people who get discriminated in their countries. If all in all could say there is discrimination, my parents have right to say it too. But they never say it instead, they think their life is getting better and better and they can't complain. My mom is happy to act a supporting role and she thinks man is a main power in a family. Many people think I am independent woman but if I have to give up something to complete my man, I will do it.

I have attended a discussion that a lady who came from Harford university, thinks it's ridiculous that Chinese prefer boys than girls. She thinks women should have more voices in political field. I just think she is ridiculous too. If she ever lives a rural area in China, if she knows to harvest the crop is a team work, then she might know why especially in rural China, boys are more important than girls because they need more labors. And girls often are a member of their parents-in-law. It's Chinese tradition.

Chinese people do have a lot of bad habits. To spit in public is indeed disgusting. I think this habit there is just because those farmers work in the fields and they don't find a right place to spit. It happens in big cities because most people in big cities are from countryside too.

Westerners should learn more about Chinese. We are trying to improve and we often pick on our own problems too but don't expect we'll ignore our Chinese identity.It's good if you help people to have different voices. But I would suggest you release something unfair in China later on but not in this sensitive time."


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28

 The Eels Setlist - 27th April 2008 Sydney

Are the Eels a power pop band? Or a string-laden chamber pop band? Or are they an acoustic duo? Or a three piece punk band? The reason I ask is that I’ve seen this band play 4 times in the past 5 years and, on every occasion, they’ve been a completely different live proposition. They are, without doubt, the most schizophrenic of live bands. And that’s one of the many reasons why I love them to pieces. It seems as if Mark Oliver Everett (or Mr E or just plain E to everyone bar his bank manager) hears many voices in his head and listens to the loudest when he’s planning his world tours. It must be a kind of madness. Which, with is family history, kinda makes sense…

Last night’s show in the Enmore theatre in Sydney began with a screening of a BBC funded documentary that traced E’s efforts to find out more about his father, Hugh Everett III, a quantum mechanics physicist who is credited with coming up with the theory of Parallel Universes. This theory has been embraced in popular culture through shows like Doctor Who and cult movies like Donnie Darko. E’s investigation took him on a tour of all things Quantum – from Princeton where his dad developed the theory, to Copenhagen where the film detailed the meeting that his father had with eminent scientist, Nils Bohr. The documentary, whilst highly amusing in parts, touched on some desperately sad events – the suicide of E’s sister, the depression of his parents, the sudden death of his dad just as his theory was becoming more accepted. Many of these events have been detailed in the Eel’s albums over the years but the onscreen revelations added an extra layer of feeling to the band’s intimate performances later in the evening.

Maybe “band” is too strong a word. The Eels, on this world tour, consists of E himself and “the Chet”, a multi-instrumentalist who accompanied E on piano, harpsichord, the saw, guitar and, most thrillingly, the drums. It’s a Motherfucker, performed solo at the piano, was as amusingly poignant as ever but the evening really kicked off when the duo warped into some kind of White Stripes version of the Eels and thrashed their way through Flyswatter, Bus Stop Boxer, Novocaine for the Soul and Led Zep’s Good Time Bad Times. Without this manic period, the gig may have slipped into anonymity.

In any case, the Eels clearly buck the trend. How many bands tread the boards each tour, trotting out a few numbers for the new record and a smattering of old faves to a ripple of applause (and yawns). I salute the Eels, and in particular Mr E, for their (his?) contrariness and the fact that they wish to challenge me as a fan on each and every tour. I can’t think of many other acts that compare?


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2005Michael Jackson: demon or demonised? Or both?, written by Aidan Curran. Four years on this is still a great read, especially in the light of his recent death. Indeed the day after Michael Jackson died the CLUAS website saw an immediate surge of traffic as thousands visited CLUAS.com to read this very article.