The CLUAS Archive: 1998 - 2011

25

As followers of Key Notes will know, Hard Working Class Heroes (HWCH) returns for the seventh consecutive year in October (Friday October 16 to Sunday October 18 2009).  Taking place, once more, in Dublin's Temple Bar, HWCH is a great opportunity for bands and music fans alike to experience festival-like conditions without any fear of someone setting fire to your tent.

Yesterday, the first 99 Irish bands were announced and, well, it's a pretty impressive list.  Stand-out acts for me are The Ambience Affair, Dark Room Notes and R.S.A.G.  That being said, there are a huge number of acts on the list that I've heard a great deal about but have yet to see live and that, if previous years are anything to go by, will provide the greatest enjoyment.

Ticket prices for Hard Working Class Heroes 2009 remain the same as last year, costing €40 (that's 49 cent per band!- Recessiontastic) for a weekend pass while nightly tickets are €18.50.  Tickets are available from Tickets.ie.

The 99 Irish bands announced yesterday were as follows:

202s
A Plastic Rose
Adebisi Shank
Airstrip One
Albert Penguin
Ali & the DTs
Alright Chief
Armoured Bear
Autumn Owls
Biggles Flys Again
Black Robots
Blood Bottler
Briana Corrigan
Carpool Conversation
C!ties
Cheap Freaks
City of Angels
Collie
Cutaways
Dark Room Notes
Deaf Animal Orchestra
Deaf Joe
Disconnect 4
Distractors
Doug Sheridan
Escape Act
Exit the Street
Fingersmith
Fiona Melady
Funeral Suits
Giraffes
Go Panda Go
Goatboy
Gran Casino
Ham Sandwich
Hassle Merchants
Heathers
Heritage Centre
Here Comes The Landed Gentry
Hired Hands
Hunter-Gatherer
I Love Monster Hero
Ian Whitty And The Exchange
Identity Parade
Jogging
Killer Chloe
Kill Krinkle Club
Kowalski
Kyon
Ladydoll
Land Lovers
Liz Is Evil
Mail Order Messiahs
Midatlantic
Miracle Bell
More Tiny Giants
Neosupervital
NoLady
Not Squares
O Emperor
Oliver Cole
Only Fumes & Corpses
P-Dog
Pearse McGloughlin
Planet Parade
Pocket Promise
Primo
Remma
Robotnik
Rory Grubb
RSAG
Sergeant Megaphone
Sounds of System Breakdown
Subplots
Super Extra Bonus Party
Sweet Jane
Talulah Does The Hula
The Ambience Affair
The Angel Pier
The Brad Pitt Light Orchestra
The Brothers Movement
The Dead Flags
The Dying Seconds
The Holy Roman Army
The Kinetiks
The Poormouth
The Spook of the Thirteenth Lock
The Star Department
The Vals
Theme Tune Boy
Tidal District
Tiny Magnetic Pets
Ultan Conlon
Valerie Francis
Verona Riots
Vox Populi
We Cut Corners
Yes Cadets
Zealots

So, who are you looking forward to seeing?


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23

http://www.youtube.com/watch?v=s0ZPTFfpO40


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Posted in: Blogs, Sound Waves
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23

 

http://www.themoth.org/listen


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20
Gaggle
Gaggle, a 22-piece London based female choir, creatively infuse powerful, fast paced evocative music with an almost intimidating air. Though Gaggle are only new on the scene, fronted by Coughlin forme...

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Posted in: Interviews
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20

Bonjour from Ireland! Your French correspondent needs a break from French corresponding, especially after our action-packed weekend at La Route du Rock. So we’ve left the stale heat of Paris and headed back home to the wind and rain of Kerry.

But, as we pointed out during a previous trip home, it seems that France always follows us to the Kingdom. Here in Tralee there’s a French deli/café and this weekend a French market will set up in the town centre as part of the Rose of Tralee festival. (There’s also a France Rose, Melodie O’Neill from Brittany.) And there are plenty of French tourists around Tralee and Dingle and the rest of the county.

Jane BirkinThe weekend after this one, someone else will travel from Paris to Ireland. Jane Birkin (right), our erstwhile neighbour and France’s favourite Englishwoman, is performing at the Festival of World Cultures in Dun Laoghaire. Birkin will be at the Pavilion Theatre on Saturday 29 August, with tickets costing €30-32.

We’ve already written at length about Birkin and that duet, and it’s impossible to talk about her without mentioning Serge Gainsbourg, her late former romantic and creative partner. Since the great man’s death in 1991 she has curated his legacy by re-interpreting many of the songs he wrote for and about her. On stage she sings his songs and talks about him, as if recognising that he has defined her adult life and their relationship is now a cultural artefact in the public domain.

But it would be unfair to reduce Birkin to a mere supporting role in her own life - the woman is an icon in her own right. True, many of her acting parts have been as up-for-it sex kittens – but her intense and brave performance in the bleak Gainsbourg-directed 1976 film ‘Je T’aime (Moi Non Plus)' remarkably prefigures her daughter Charlotte’s award-winning role in Lars von Trier’s ‘Antichrist’.

And recently she has started painting a broader canvas of her pre- and post-Serge life. ‘Boxes’, her first film as a director, is a semi-autobiographical look back over her live and loves. (Before Gainsbourg she was married to another legendary musician, film composer John Barry.) And her latest record, ‘Enfants D’Hiver’, is her first to be entirely self-composed and continues the bittersweet nostalgic theme of her movie.

On a previous album, Birkin sang a song written for her by our own Neil Hannon. The track, ‘Home’, touches on Birkin’s momentous life and has her wondering about the other paths she may have taken. It’s a catchy little thing, relatively sincere for a Hannon composition, and while never the world’s greatest singer Birkin handles this song with a sure touch. The video, where Birkin’s native London blurs into her adopted Paris, is a smart and witty take on the long-term ex-pat’s complex and conflicting feelings when the heart is in two places at once. (Your correspondent knows the feeling all too well.)

Unfortunately we can’t embed the video, but it’s definitely worth a view and a listen – watch the video for ‘Home’ by Jane Birkin here. And if she sings it in Dun Laoghaire next weekend don’t be surprised if the songwriter pops up beside her on stage.


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19
Pearse McGloughlin 'Busy Whisper'
A review of the album Busy Whisper by Pearse McGloughlin Review Snapshot: Busy Whisper is a haunting collection of ten songs that reflect on those moments of longing that appear to happen in the p...

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17

A review of the album 'The First Days of Spring' by Noah and the Whale

Noah And The Whale

Review Snapshot:
The Twickenham based folk outfit return with a heartfelt second album. It proved a difficult second album, not in music terms but more in the feeling in the theme, which proves thankfully, that Noah and the Whale are here, for a while at least

Cluas Verdict: 8/10

Full review: The first thing to note about “The First Days of Spring” is that Charlie Fink is sole vocalist.The second is that the record is definitely not like the first by the group, and the third is that the theme is not a happy one.The record opens with the title track. A strings intro accompanied by a clean electric guitar hook, immediately sets down the tone for the album. What strikes this reviewer is the incredible similarity between the sound of Fink’s vocals and those of David Kitt. Its no bad thing. The theme of the song is the potential for what should be a new beginning, hounded by a heartfelt break up. “My life is starting over again Well the trees grow, the river flows” he sings with purpose, but in the end of the track he repeats, “I'll come back to you, in a year or so And rebuild ready to become, Oh the person, you believed in or the person that you used to love”. These lines set the theme for the entire record. It's a break up album, or more to the point an album about the disillusionment of a break up.

And so the album continues into “Our Window”. It's a good melody continuing the theme as Fink reminisces and still hankers for “her light”. “My broken heart” is next, again a slow electric guitar intro, with a beating drum, “You can give up anything when your following your heart” Fink sings. There is a nice orchestral string accompaniment to the song. “I’ll be laughing again” he sings defiantly as the sound of a trumpet brings the song up in tone. It’s most definitely the nearest thing to a radio friendly song so far on the album. Like I said, it’s not like the last record.

At the halfway point in the album there is an instrumental interlude. “Instrumental I”, the joyous “Love of Orchestra” and “Instrumental II” provide the affirmation for Fink to come out of his emptiness and despair. Not for long though, “Stranger” opens slowly again with a clean electric guitar intro.“Last night I slept with stranger for the first time since you’ve gone” he sings. It’s back to wallowing and self reflection. The music is slow moving and Finks vocals are soft and easy to listen to. However the over analytical nature of the theme and the self wallow and reflection can be a little overwhelming for the listener. At times the listener can become vexed and feel like telling him to move on! Such is this reviewer’s intolerance of listening to a stranger’s problems!

“Blue Skies” raises the mood a little and is a slow building melody, breaking through to the end with a haunting backing vocal. It’s more positive and finally Fink looks like he is out the gap…It could be a potential single. The layered drum and electric departure on the album is further personified in “Slow Glass”. “I never tried to change you, honey I’m your biggest fan” he sings as he reflects on the hurt his (famous)lost love has caused him. The album closes with “My Door is always Open”. It's the final resolution. “I will only let you only down, but my door is always open” he sings. The country slide guitar and light vocals bring the album to a slow reflective end. “First Days of Spring” has to be listened to in full, and the radio cuts are few are far between. However as an album, it's a story of a bitter break up with some beautiful music for company and well worth a listen. It proved a difficult second album, not in music terms but more in the feeling in the theme, which proves thankfully, that Noah and the Whale are here, for a while at least.

Kevin Coleman


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17
Grizzly Bear, Telepathe, Bill Callahan (live in St Malo)
Grizzly Bear, Telepathe, Andrew Bird and Bill Callahan (live at la Route du Rock, St Malo, France) Review Snapshot: Telepathe's cracking NY electro gets lost in a large theatre; all hail Bill ...

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16

We're back in Paris after a great weekend at La Route du Rock in Saint Malo. Check out our reviews of day one, day two and day three. Our highlights were St Vincent, Bill Callahan, Telepathe and Deerhunter. There were also good performances from Tortoise, Camera Obscura and Papercuts, but Grizzly Bear and My Bloody Valentine were a little disappointing.

Organisation-wise, we can't fault La Route du Rock. We laugh at how Irish festival-goers, having already paid hefty prices for a bloated line-up that guarantees time clashes and missed favourites, must then pay for a bus to the site AND a programme to find out what time the bands are on. La Route du Rock has a free regular shuttle service between the site and Saint Malo. The bus even stops at a hypermarket to allow campers stock up on provisions (i.e. booze). Speaking of which, the campsite seemed to be in neat condition (no rain this weekend) and we heard no reports of any trouble.

If you don't know Saint Malo, it's a large town on the north Breton coast that's famous for its cité corsaire, an old walled town surrounded by the sea. The cité corsaire is quite touristy, though - the old stone streets are lined with restaurants and bars, and on Saturday afternoon there were two stag parties doing the rounds. Yes, the old city is the Temple Bar of Saint Malo. In France, 15 August is a public holiday (La Route du Rock traditionally takes place around this date) and so a lot of shops and businesses were closed this weekend. We didn't find any local record store, and so had to do our music shopping on the festival site where small French labels had a marquee to display their wares.

There wasn't even one tricolour or GAA jersey to be seen in Saint Malo all weekend - it seems that the only Irish people at La Route du Rock were Kevin Shields, Colm Ó Cíosóig and the CLUAS Foreign Correspondent (Paris). And after MBV's anti-climactic run-out on the first night, we reckon your correspondent was all alone in representing Ireland for the remainder of the weekend. (Don't worry: we didn't embarrass you.) While it was certainly easier for the large numbers of UK indie kids to cross over to Brittany, Irish travellers can come by air to nearby Rennes, by ferry to Roscoff or even hit Paris first and then take a three-hour TGV ride directly to Saint Malo. And if you get homesick, there's even an Irish shop in the city that sells essential provisions like Barry's Tea and McVities Caramel Digestives. Mark it in your diary: mid-August in Saint Malo.

The attendance at this year's festival was down slightly on last year's turnout - about 5000 people for the Friday and Saturday night but only 4000 on a Sunday night without any big international act. Nonetheless, La Route du Rock will go ahead in 2010 for the festival's twentieth birthday. François Floret, the festival director, has spoken of how he wants Portishead and Arcade Fire to headline next year's event, but he admits that his meagre budget may not allow this. The wealthier Rock en Seine in Paris at the end of August this year nabbed Faith No More, an ideal act for La Route du Rock's target audience, so the battle for an attractive headliner is fierce. Even with just one big name to feed, Floret was complaining about My Bloody Valentine's proposed fee, which he claims to have negotiated down to a half of the original figure. Last year the festival's website featured an open letter begging for support.

How come La Route du Rock is always in such financial trouble? Well, it has a tempestuous relationship with the local government, who don't seem to be as generous or co-operative as those of other regions. The cost of bringing full festival gear to a remote and inflexible location is quite high - and this year the site had to be drained pre-festival at considerable expense. Indie music isn't as fashionable or popular in France as in the UK, US or Ireland, so there's less chance of persuading French businesses to hand over large amounts of advertising-revenue cash.

That said, La Route du Rock has an ambiguous relationship with the notion of corporate advertising. Traditionally the festival has been regarded by French rock fans as being independent of the business shilling, a last bastion of the punk spirit. But at the same time there were prominent concessions around the site this year to a certain soft drinks maker, telecommunications company, sneaker brand, French bank and French beer. And the telecommunications company even got to re-name the festival's secondary venue back in Saint Malo. We understand how many French people, especially young rock fans, are vociferously left-wing and anti-capitalist (in public at least) - but will we soon see the day when La Route du Rock is made financially secure by allowing one of those concessionaries to fly a banner over the site entrance or put their logo on the wristband? Or is François Floret's annual poor-mouth routine simply part of La Route du Rock's tradition by now?

We might have figured out a solution to both the lack of Irish and lack of money problems. La Route du Rock should advertise in Ireland, just as Sziget and Benicassim do in the Paris metro. As the success of Irish festivals and indie music media (including CLUAS) testifies, there's a considerable alternative music audience in Ireland. Many Irish indie fans also like to travel abroad on holidays, but the recession has nixed all those trips to Asia and South America. There are already healthy Irish contingents at Glastonbury, Benicassim and other European festivals - La Route du Rock may be smaller but certainly offers great value and acts to the discerning indie fans. The low cost of a weekend pass (under €90 to see an excellent line-up) offsets travel expenses which can be further reduced by booking the TGV from Paris at least two months in advance.

La Route du Rock could even look for partnership with a friendly airline. If there's sufficient interest (e.g. by counting online sales to Irish computers) the airline has a flight from Ireland to a nearby Breton airport, say Dinard or Rennes, that it promotes as a special all-in travel/festival package. (The Jersey ferry companies did something similar this weekend.) La Route du Rock gets an adrenaline shot of extra fans, who all spend their money in Saint Malo and thus sweeten the local government into writing a bigger cheque. With a bit of on-site advertising, the airline can attract young French people to Ireland. Et voilà: without having to support sweatshops or stockbrokers La Route du Rock can sell some extra tickets and look the bank manager in the eye again.

So, we might see more of you in Saint Malo next time.


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16
St Vincent, Papercuts, Camera Obscura (live in St Malo)
St Vincent, Papercuts and Camera Obscura (live at La Route du Rock, St Malo, France) Review Snapshot: A sensational performance from Annie Clark is the highlight of day two and perhaps eventually ...

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Nuggets from our archive

2006 - Review of Neosupervital's debut album, written by Doctor Binokular. The famously compelling review, complete with pie charts that compare the angst of Neosupervital with the angst of the reviewer. As you do.