''Rollicking garage-bound blues from the mighty Black Time, who unbelievably, are of British origin, despite the brash authenticity of their classic American rock & roll aesthetic. These heavily overdriven, echo chamber boogies are like a cross between Pussy Galore and Bo Diddley, delivered with a raucous, retro attitude and a slightly shoddy grasp on rhythm and generaltime-keeping - couple this with an overcoat of distortion and recording scuzz and you've got yourself a 1950s Times New Viking. Splendid. Boomkat
''tunes are catchy, short and rockin'. Maximum Rock'n'Roll
''This is incredibly trashy, primal garage rock. Punk Planet
''Meek-esque 60s aesthetic go head-to-head with damaged, post-Siltbreeze sonic environs (Sic Alps might be their closest US cousins) and great fucking songs in a way that’ll have you looking forward to going to gigs where the musicians actually stand up and, uh, move all over again. Volcanic Tongue
202’S (NAMED AFTER THE ANALOGUE SYNTHESIZER THE ROLAND MC202)MAKE MUSIC USING GUITARS (MOSTLY FORWARDS, SOMETIMES BACKWARDS), BASS, SYNTHS, HARMONICA, MELODICA, GLOCKENSPIEL, LIVE & PROGRAMMED DRUMS, TREMOLO, DISTORTION, OCCASIONAL SAMPLES, LOOPS, WAH, DELAY, MEGAPHONE & MORE. THINK SOMEWHERE BETWEEN CRAZY HORSE & KRAFTWERK VIA THE FALL & YOU’RE CLOSE TO THE SOUND MADE BY THIS EXCITING NEW DUBLIN BASED ACT.