This article was first
published on CLUAS in Nov 2003
An Interview with Waiting Room
No room to wait as Cork's latest quality act ramp things up...
Wayne Dunlae had the good luck to show up two years ago at a gig the night the drummer from Dave Aherne and Nigel Farrelly's
previous band didn't turn up. Since then, the
three have traded under the possibly Fugazi-influenced name of Waiting Room.
However, as they tell me, this earlier incarnation of Waiting Room differs
greatly from that of today. "It was more singer-songwriter stuff than a band,
more indie really", explains Nigel. All the songs from their first album were
written by Nigel (vocals & guitar), with, as Dave (bass) puts it, "myself and Wayne just following him
into studio".
The album in question, "Losing Patience", turned out to be a learning curve for
all involved. "We went into studio and we didn't really know what we were
doing", admits Dave, "but we know we just wanted to go in and make some songs,
and just learn from it". Wayne adds, "I had a piece of paper next to me telling
me how many bars were in each verse, sort of making things up on the spot, so it
was a bit strange in that sense."
In the two years since their last release, the band have become a very tight
unit, who seem very comfortable playing together. Their new album "Catering for
Headphones" is already recorded and is being readied for release in February
2004. For my money, there won't be many, if any, Irish releases next year that
are going to better it. Originally consisting of eleven tracks, the band decided
to get rid of the instrumental title track, which swiftly switches from quiet to
loud midway through the song like some of the band's other tunes, notably the
wonderful "Message Received". Wayne feels that the track "Catering?", which was
supposed to come at the album's half way point, "broke up the album's momentum.
However, we may use it for something in the future".
While the album won't be released for a while yet, the band have had it
completely finished since the start of the summer. "Our friend Ross O' Donovan
recorded it on his computer, basically in my house", Nigel explains, "He had
pro-tools in his laptop, and it took us three or four weeks to make it. We were
kind of advised to leave the release until February". Explaining the decision a
bit more Dave adds, "because within a month it would have been last year's
album, and we wouldn't get much press, with Christmas and all that manufactured
stuff fighting for number 1".
While waiting on releasing recorded material for a long time can often be the
source of much frustration for many bands, Dave's summer sojourn in the States
has resulted in as Wayne says, "the songs sounding fresher again".
Listening to tracks like "Angel" where Nigel sings softly "I miss your smile
/ I miss your face", there seems to be definite elements of melancholy in
his lyrics. Surprisingly he agrees with me. "I suppose when you are writing
songs or lyrics you start thinking about things a bit more, and I tend to think
about the bad things a bit more? I am not as depressed as it sounds though!"
Although it is not always the case that the lyrics are tinged with melancholy as
David says, "I think that the way Nigel's voice is, people automatically think that he
is upset. There are one or two tracks on the album that if you listen to the
lyrics, they are really happy. But people who have heard it think that it is too
depressing to put on the radio".
Nigel agrees too, "Even the one on the Foggy Notions CD, everyone thought it was
depressing. But the chorus isn't depressing, it is kind of optimistic".
One thing for sure is that
Nigel certainly has a distinctive voice, sometimes sounding as if it is tinged
with sadness. However, it isn't a depressive brogue, but something that is far
more tender. Or as Dave jokes "He is doing it for the pity from the ladies!"
("Well it's not working!" retorts Nigel).
Speaking of ladies, a chanteuse who appears on some of the album's tracks who
Nigel confirms to be Lisa who "sang on some of the earlier stuff, but she has gone off
doing her own thing now. There is another girl, Aisling who plays in a number of
Cork bands, and she played cello on it. We are kind of always adding guitarists
and taking people away. Johnny the drummer from Rest played guitar with us a few
times, but we have never had a settled fourth member".
Dave adds "Because we overdub stuff on the album, you don't want it to sound empty
live, you want to produce the same thing live".
At the time of the interview
Waiting Room were looking forward to supporting the fantastic Nad Navillus at
his gig in Limerick. "We saw him when he played the Lobby, and there was literally four
people there. But the gig was unreal? he is an amazing guitarist", says
Nigel.
This turns the conversation to talking about Limerick in general, and Waiting Room seem to be more than complimentary. "We like it a lot more than (hesitates)?maybe? Cork", confesses Dave. Wayne adds, "People will automatically be more interested in listening to you because you are not from Limerick". Nigel doesn't disagree noting that "People really seem to listen to the bands up here in Limerick". For Dave it is because Limerick has "a really good music scene with the AMC and everything. You do get people who go to gigs for gigs and not just to get pissed, and act the dick with their friends".
On the other hand in their native Cork "there is no solid collective"
according to Dave. "I think every band in Cork seems to be linked in some way, but they don't
seem to be playing gigs together. It seems to be the same music in the same
venues, people don't seem to be expanding their audiences by adding other bands
to the line up and so on. Its kind of weird, it's kind of snobbery in a way".
When an adjoining building next door to their practice space caught fire in
September 2003, the band lost an estimated 10,000 euro worth of music equipment.
While such a tragedy would have left a lot of bands in tatters, Waiting Room are
somewhat philosophical about it all. "The way I was saying about the snobbery in Cork between bands, this did
bring a lot of bands together, and there is a lot of people playing benefits",
says Dave, "which is really cool because these line-ups mightn't have happened otherwise".
It's not just bands from Cork who are rallying around them either, with the
Dudley Corporation offering to donate the takings from their recent Cork gig to
the band. "We would prefer if they didn't because they were launching their own
album", says Wayne when you consider, as Dave noted, "they recorded the album off their own backs, and we know how expensive
that can be". As Nigel confirmed "It was a really, really generous offer. Also, Music Maker in
Dublin said they would sell us the equipment at cost price." The timing
of the fire however was really bad, as Waiting Room are to go on tour soon.
The tour in question will see the band playing their own headline show in
London, and dates in Cork, Dublin and Limerick with Nad. The London show is
especially important for the band as the promotion company involved may be
interested in setting up a full UK Tour for the band in the New Year. That,
coupled with the release of "Catering For Headphones", means that 2004 is going
to be a very big year for the band.
Waiting Room were interviewed by Ciaran Ryan