This article was first
published on CLUAS in December 2004
Interview with Rachel Loshak
Triona hooks up with Rachel Loshak as she prepares for an Irish tour...
Rachel Loshak is a New York based singer-songwriter and to date has released
three albums independently: Here I Am (1999), Firefly (2001) and Mint (2003). In
this interview she talks candidly about her experiences as a singer songwriter
in New York and discusses her unique approach to making music. Rachel also tells
us what it was like recording her soon-to-be released fourth album 'Peach Pony',
performing at the 2003 Grammys with Norah Jones and her impression of the music
scene in Ireland.
Some listeners in Ireland may not have had an opportunity yet to hear
your music. How would you describe your musical style?
Unusual I think, not pop, not jazz, not folk, not rock or reggae, but
there is some part of all of that in it somewhere.
Many may regard integrating both voice and bass as an original approach to
creating music. Has this style always interested you? When did you first decide
to play the bass?
It has interested me a great deal since I was about 20, when I was at
college in Nottingham, England. I performed in a pub once a week with two
friends, and we always did a song with just me and the upright bass player. Then
I included a piece for voice and upright bass as part of my degree show. When I
moved to New York, and started to meet musicians, I had no instinct to play
guitar, but tried a friend's bass one night, borrowed one the next day
(the one I still play now), and booked a gig three weeks ahead and spent those three
weeks writing three songs to perform. It just is what felt natural to me at the
time. Now, in retrospect, I can attach deeper reasons for it. It is a very
grounding instrument, and I was all over the place, away from home, etc. at the
time, so I think that it was just what I needed to hear and feel. It was a good
root and home for my fairly high voice, and it leaves a lot of space for the
listener's imagination.
What are your goals as a musician?
To continue to be creative and open with my music. And to earn a living
from doing it. Also I hope that I always connect with something inside each
person who listens to it. If you're not doing that, you should just play by
yourself at home.
You're well known on the New York singer-songwriter scene. What first
inspired you to go to New York? Is it an inspirational environment?
It can be, and it has been often for me. But it's also a tough place to be
sometimes - I grew up on a farm, so I miss the fresh air and the sounds of trees
and the wind. But I also felt very isolated growing up, so living in New York is
the opposite of that really! I came here because I wanted to get away from
London and England at the time, I didn't come to New York on purpose, it was
just the cheapest flight at the time (with Aer Lingus - stopped in Shannon on
the way- it was the second time I'd ever been in an aeroplane!)
Have you been influenced specifically by any particular songwriters? Who
are you listening to at the moment?
I'm not actually listening specifically to anyone right now. At
different times, I listen to more or less music, and at the moment, I just feel
like being quiet. I think that is somewhat a reaction to living in New York for
a bit too long - it is very loud outside, and when I'm inside, I want to be
quiet.
Throughout my lifetime though, I have been influenced by a huge variety of
singers and songwriters. John Lennon continues to be important, as I learn more
about his life, and as I grow in my own life, something always applies. Women
like Rikki Lee Jones, Edie Brickell, Joni Mitchell were all big influences in
terms of song-writing. Then jazz singers like Sarah Vaughan, Chris Conner and
Anita O'Day were influences vocally.
Has working in the music industry always been something you've wanted to
do?
I've always wanted to work in music - the music industry is the ugly
by-product of that. I've brushed it aside as something I don't care about for a
long time, but am now ready to embrace it. Now I feel my own convictions are
strong enough to survive in it!
You've just recorded your fourth studio album 'Peach Pony'. How long did
it take to write the material for the album?
A few months approximately, something like that. As soon as I have
enough new songs to fill an album, I'm ready to make an album. I released 'Mint'
in March of 2003 and started recording on New Year's Eve.
Is it difficult recording an album as an independent artist?
Yes. Financially especially, which can also restrict you creatively
sometimes. But it can also push you creatively too. You do keep all the control
over it though, which is easy to lose when you are working with a label. And you
only have the pressure within yourself to get it right, or finish by a certain
time, etc. You can do whatever you want, and work with whomever you want, and it
can be a great thing.
What's your approach to song-writing? Do you wait for the creative moment
to come or is it more productive to be working constantly on ideas?
It's very difficult to try to "make" songs come, and frustrating when
they don't, so I try not to force myself, or push it if I don't feel like
anything is happening. When something comes to me that I am compelled to finish
because I can't think about anything else until I do, then I can't stop playing
it because I like the way it sounds - that's when it feels good! I feel very
satisfied afterwards.
Have you any particular favourite track from your new album? Can you tell
us about it?
I like the track "Hearts of Snow", as I wrote it when we had already
recorded most of the record and were just doing a few last overdubs. The
following day, our friend Robby came over to put some French horn on a couple of
songs, and we had him play on this song. What is on the record is just what we
did that day at home, nothing fancy, just how it was, and I feel really close to
the song because of that.
You've also recorded a duet with Norah Jones on 'Peach Pony'. Have you
worked together before?
A little. I've known her for a while, and I think that we have always
had a mutual appreciation of each other. She asked me to sing with her at the
Grammys in 2003, which was an incredible experience for me, and it was great
that she brought me into that.
You're becoming a regular on the live scene here in Ireland. Do you enjoy
playing to Irish audiences? What is your impression of the live music scene
here?
It's a really unique scene, as there is such a strong musical history
that you can kind of sense all around. I've been to Ireland a number of times
now, and the audiences are always great, and really get into what they are
hearing. It makes it a pleasure.
What are your plans for 2005? Will you be coming back to Ireland?
Yes, I hope so. It looks like it might not be until October, but
possibly sometime in April.
Rachel Loshak was interview by Triona Hourigan
'Peach Pony' will be released early in 2005.
For
further information check out
Rachel Loshak's website.
Rachel
is embarking on an Irish tour this December with Niall Connelly. She plays on
the following dates:
->
Thursday Dec.16th, DEBARRAS,
Clonakilty
->
Friday Dec.17th, THE LOBBY,
Cork
->
Saturday Dec.18th, THE LOBBY,
Cork
->
Sunday Dec.19th, THE STAGS HEAD,
Dublin
->
Tuesday Dec.21st, SLATEHOUSE SESSIONS,
Galway
->
Wednesday Dec. 22nd, UPSTAIRS AT DOLANS,
Limerick