This review was first
published on CLUAS in 2004
Other albums reviewed in 2004
Interpol
A review of their album 'Antics'
Review
Snapshot:
Second album from New York doom merchants following up their
critically acclaimed debut "Turn on the bright lights".
The CLUAS Verdict? 6 out of 10.
Full review:
It's kinda funny that Interpol are being touted as the next big goth
'stars'; depression, murder, inferences of suicide and pain, they have always
had a depth of feeling in their music which doesn't allow them to be pigeonholed
as easily.
Their first album "Turn on the Bright Lights" was a bolt of desperation from the
New York scene, at the time an associate of records from
The Strokes, Hot Hot Heat and The Rapture.
Initially not as acclaimed as these other records, it soon became clear that
Interpol could attract fans while their music seemed designed to push people
away, and 'Bright Lights' became a cult hit on both sides of the Atlantic.
So now we have a new album, and with it the fear that their follow up could be a
disappointment. On first rotation the same doomy vocals and interesting rhythmic
changes are evident, the same strong bass sounds hold everything together, and
the scattershot drumming pops in and out of each song as before. Even the cover
seems similar, the notes are sparing and short and Morse code spells out song
titles (Length - narc -cruise - exit, in order).
Aside from a few poppier exceptions, it seems business as usual. As the listener
gets used to the album the little pieces get clearer, the music becomes more
emotive and some tracks, 'evil' and 'slow hands' especially are almost
sing-a-long. The first track 'Next Exit' seems to give and indication of their
ambition - "we're not going to the town / we're going to the city" - over
a lush organ sound and Paul Banks' prominent vocals. Indeed Banks' vocals are
much more soaring and sweet on this album; on 'narc' his vocals almost seem to
be comfortable at the front rather than lower in the mix as on their debut. The
quality of the last few tracks on the album seems to dip slightly, and while
poppier, 'Evil, 'Length of Love' and 'Slow Hands' form a backbone that
everything else seems to sit on.
So while Antics isn't a major leap forward, it is another excellent album of
quiet desperation, and gives hope that this is just one of many great Interpol
albums.
Kierry
Check out an alternate review of Interpol's album 'Antics'.