Cansei De Ser Sexy
A review of their album 'Cansei De Ser Sexy'
 Review 
Snapshot:
Review 
Snapshot: 
The latest band deemed to be hailed as the next apathetic heroes of the indie 
dance floor come from Sao Paulo, and if you're expecting any Brazilian home 
grown beats, you'd find more samba in the shoe of a Tipperary farmer. With a 
bassist straight from 70's porn soundtrack and a lead singer with a name to match, they 
drop the hometown beats and try to emulate the far superior LCD Soundsystem; far 
superior in terms of production their grasp on the English language and plain 
great songs. 
The Cluas Verdict: 3.8 out of 10.
Full Review:
Opening with the 'CSS Suxxx', one of those god awful self conscious songs where 
they get the self criticism out of the way by way of saying that they suck. This 
doesn't fill the listener with the warmth of irony, particularly when they know 
that a joke is being played. 'Patins' is run of the mill indie with a foreign 
twang being the only interesting thing about the song. The publicity that CSS 
have scrounged for themselves comes from their funky 'Let's make love (and 
listen to Death from Above)', a gem of a song that'll make you want to dance as 
angularly arty as possible. Never mind making love, there's time for that 
afterwards. The bass and guitars overlap beautifully to create a groove worthy 
of the DFA at their most potently hypnotic. The stomp of 'Art Bitch' and 
reiteration of licking or sucking 'my art hole/tit' leads one to wonder whether 
they are a bit hypocritical in criticising those with an artier than thou 
attitude when it is clear that they are art/hipsters themselves. 
The main gripe with this album is that for all its ramshackle would-be-cool 
production (think Libertines rawness lacking the grit that makes it work) is 
that it's full of filler. Decent tracks, and there are about four out of the 
eleven, only work because the band actually sound as if they tried to write a 
proper song, otherwise the song's point wanes and so does the listener's 
attention. 'Alcohol' is either a childish drawl or a great joke (depends on 
one's mood I've found) that sounds like a bunch of underage drinkers coming up 
with a really 'cool' idea to write a song about drinking and thinking you're an 
elephant or on fire. There seems to be a ring tone charm (is there such a 
thing?) to the band on 'F**k off is not the only thing you have to show' and 
this could come from the fact that most of the band didn't know how to play 
instruments until they came together. The bending of Lovefoxxx's vocals only 
adds to the growing tackiness that looms like a 
Paris Hilton song. Oh did I 
mention they wrote a song about Paris Hilton? It's another diatribe with the 
word bitch used a lot, otherwise I can't really tell what's going on. 
Perhaps I am being too harsh on them; it is a fun record, harmless as it is 
it'll get a smile for sheer unashamed flirtatiousness. But one great song from a 
whole album and three other decent numbers is not enough to warrant the hype. 
CSS sum it up themselves in 'Patins': "I don't know who the hell are you baby, 
baby I don't know but I want you". In other words it's worth the fling but 
nothing more. 
Daire Hall
 To buy a 
new or (very reasonably priced) 2nd hand copy of this album on Amazon just click
here.
 To buy a 
new or (very reasonably priced) 2nd hand copy of this album on Amazon just click
here.


